The Influence of Islamic Culture on the Color of Local Oil Painting Creation in the Xinjiang Uygur Autonomous Region (Xinjiang for short)

  • Zhenhui Dong, Haitao Tian

Abstract

Oil painting activities are closely related to painters' living environment and traditional cultural background. Xinjiang oil painters' mastery of color in oil painting creation is closely related to the traditional color aesthetic tendency formed by their traditional culture. Among it, the influence of Islamic aesthetic culture is an important link. This paper focuses on the development of Islamic culture and the characteristics of its architectural art, and discusses the influence of Islamic aesthetic culture on the color of local oil paintings in Xinjiang by means of iconology research, comprehensive analysis of literature and field investigation. The research in this regard will bring some enlightenment and ideas to the local painting creation in Xinjiang, especially to the contemporary painting color creation in Xinjiang, with important practical significance and academic value.

How to Cite
Zhenhui Dong, Haitao Tian. (1). The Influence of Islamic Culture on the Color of Local Oil Painting Creation in the Xinjiang Uygur Autonomous Region (Xinjiang for short). Forest Chemicals Review, 1993-2000. Retrieved from http://www.forestchemicalsreview.com/index.php/JFCR/article/view/851
Section
Articles